Tuesday, July 31, 2007
Michelangelo Antonioni (1912-2007)
First Ingmar Bergman, now Michelangelo Antonioni.
I'll be honest. Antonioni has never been my cup of tea, but he still deserves tribute upon his passing.
While I liked Blow-Up quite a bit, for me watching L'Aventura was like watching paint dry and I thought Zabriskie Point was just silly.
That's the extent of my experiences with Antonioni, so I don't have much to say, but I encourage Antonioni's proponents and detractors to use this post to share their thoughts on him.
To read the AP obit, click here
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Labels: Antonioni, Ingmar Bergman, Obituary
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My experience with Antonioni doesn't extend much beyond yours, although 1961's La Notte is an interesting film, featuring good performances by Marcello Mastroianni and Jeanne Moreau. Blow-Up is one of those films I find alternately frustrating and fascinating (the ambiguity doesn't bother me so much as the pacing at certain junctures). Still, it's a provocative film on more than one level, with some truly astonishing sequences.
Gee, it's been a rough week for European cinema...
Gee, it's been a rough week for European cinema...
I'm pretty much the same as you both, although I happen to rather dislike Blow-Up. But, God, could the man point the camera and I suppose while the analytical aspects of his cinema was more interesting than his cinema, itself, the man was unbelievably talented.
The Passenger has been in my GreenCine queue forever, but it's always on long wait and I haven't seen it.
Watch L'Avventura again - originally it bored me, but I caught it again recently, and I've come to the conclusion that beyond being a revolutionary film, it's also an excellent, fascinating and quite a moving one.
I didn't think much of La Notte and I saw Blow-Up as several gorgeous, staggering sequences surrounded by a whole lot of pretence and posturing. But all the same, each of them left me excited to see more of this man's work.
His passing is a major loss.
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I didn't think much of La Notte and I saw Blow-Up as several gorgeous, staggering sequences surrounded by a whole lot of pretence and posturing. But all the same, each of them left me excited to see more of this man's work.
His passing is a major loss.
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