Sunday, January 21, 2007
Not Bad Enough
Here are the performances and their point totals that didn't earn enough to earn the dubious distinction of placing in the Top 10 of the worst best actress performances of all time.
11. Grace Kelly (The Country Girl) (36 points)
12. Jessica Tandy (Driving Miss Daisy) (31 points)
13. Cher (Moonstruck) (30 points)
14. Jennifer Jones (The Song of Bernadette) (29 points)
15. Katharine Hepburn (On Golden Pond) (27 points)
15. Luise Rainer (The Great Ziegfeld) (27 points)
17. Susan Hayward (I Want to Live!) (26 points)
18. Charlize Theron (Monster) (25 points)
19. Julie Andrews (Mary Poppins) (24 points)
19. Ginger Rogers (Kitty Foyle) (24 points)
19. Barbra Streisand (Funny Girl) (24 points)
22. Reese Witherspoon (Walk the Line) (22 points)
23. Jessica Lange (Blue Sky) (19 points)
24. Sally Field (Places in the Heart) (18 points)
24. Marlee Matlin (Children of a Lesser God) (18 points)
26. Judy Holliday (Born Yesterday) (17 points)
27. Jane Fonda (Coming Home) (15 points)
28. Shirley Booth (Come Back, Little Sheba) (13 points)
29. Kathy Bates (Misery) (12 points)
29. Shirley MacLaine (Terms of Endearment) (12 points)
31. Faye Dunaway (Network) (11 points)
31. Jodie Foster (The Accused) (11 points)
31. Vivien Leigh (A Streetcar Named Desire) (11 points)
34. Louise Fletcher (One Flew Over the Cuckoo's Nest) (10 points)
34. Glenda Jackson (A Touch of Class) (10 points)
34. Jane Wyman (Johnny Belinda) (10 points)
37. Joan Fontaine (Suspicion) (9 points)
37. Liza Minnelli (Cabaret) (9 points)
37. Luise Rainer (The Good Earth) (9 points)
37. Elizabeth Taylor (Who's Afraid of Virginia Woolf?) (9 points)
41. Holly Hunter (The Piano) (8 points)
41. Norma Shearer (The Divorcee) (8 points)
43. Greer Garson (Mrs. Miniver) (7 points)
44. Jodie Foster (The Silence of the Lambs) (7 points)
45. Anne Bancroft (The Miracle Worker) (6 points)
46. Geraldine Page (The Trip to Bountiful) (5 points)
46. Emma Thompson (Howards End) (5 points)
48. Ingrid Bergman (Anastasia) (4 points)
48. Julie Christie (Darling) (4 points)
48. Bette Davis (Jezebel) (4 points)
48. Marie Dressler (Min and Bill) (4 points)
48. Jane Fonda (Klute) (4 points)
48. Audrey Hepburn (Roman Holiday) (4 points)
48. Frances McDormand (Fargo) (4 points)
55. Bette Davis (Dangerous) (3 points)
55. Helen Hayes (The Sin of Madelon Claudet) (3 points)
55. Katharine Hepburn (The Lion in Winter) (3 points)
55. Katharine Hepburn (Morning Glory) (3 points)
55. Hilary Swank (Boys Don't Cry) (3 points)
60. Diane Keaton (Annie Hall) (2 points)
60. Patricia Neal (Hud) (2 points)
60. Joanne Woodward (The Three Faces of Eve) (2 points)
63. Claudette Colbert (It Happened One Night) (1 point)
63. Ingrid Bergman (Gaslight) (1 point)
63. Vivien Leigh (Gone With the Wind) (1 point)
63. Sophia Loren (Two Women) (1 point)
11. Grace Kelly (The Country Girl) (36 points)
"Grace Kelly as a country girl? That year's award should have gone to Judy Garland in A Star Is Born."
Al Weisel
12. Jessica Tandy (Driving Miss Daisy) (31 points)
"A superlative stage actress who occasionally duplicated her work in many an outstanding motion picture (A Woman's Vengeance [1948], The Birds [1963]), decided in her declining years to make movies her bread-and-butter by appearing in a never-ending series of crinkly, fun-loving senior citizen roles that support the argument for assisted suicide. Not only is Tandy embarrassing in Daisy, the film itself — which makes an average episode of Amos 'n' Andy look the picture of tolerance — is one of the worst films to ever win Best Picture."
Ivan G. Shreve Jr.
13. Cher (Moonstruck) (30 points)
14. Jennifer Jones (The Song of Bernadette) (29 points)
"Probably the worst actress ever to win the award, Jones brought nothing to the screen in any performance except a painful emotional detachment and insomnia-curing performances."
Tripp Burton
15. Katharine Hepburn (On Golden Pond) (27 points)
"A legacy award for one of the most inexplicably overpraised actresses in history."
Karina Longworth
15. Luise Rainer (The Great Ziegfeld) (27 points)
"Proof that Hollywood was giving away inexplicable Oscars even back in the Golden Age."
Jenni
17. Susan Hayward (I Want to Live!) (26 points)
"Maybe it wasn't as bad as it looks today, but this one has really aged."
John Farmer
18. Charlize Theron (Monster) (25 points)
19. Julie Andrews (Mary Poppins) (24 points)
"A shovelful of saccharine doesn't make this non-performance
any easier to choke down."
John Burlinson
19. Ginger Rogers (Kitty Foyle) (24 points)
"Unlike the other ladies on this list, I actually like Ginger Rogers — and it pains me to pick on someone with actual talent. But the spark and savvy which informed her best performances is sadly absent from her work in Kitty Foyle. Her trademark blonde locks dyed a dull shade of brown, presumably for optimum seriousness, Rogers comes across as an earnest drone. I, for one, prefer my Ginger with a dash of spice."
Josh R
19. Barbra Streisand (Funny Girl) (24 points)
“Oy vey! The film that gives schmaltz a bad name.”
Peter Nellhaus
22. Reese Witherspoon (Walk the Line) (22 points)
23. Jessica Lange (Blue Sky) (19 points)
"Either you can handle the smugness of Lange, or you can’t. I for one, was never able to, and her most celebrated performances have always seemed like so much empty posturing. Blue Sky, however, is not one of her more celebrated performances, or even one of her tolerable ones. Campy, vampy and shrill, with a honeyed southern accent so thick it would make Tallulah Bankhead recoil in revulsion, her character is so blatantly unlikable from start to finish that when, in the film’s absurd climax, she finally appears galumphing triumphantly on horseback onto a nuclear test site, blonde tresses aflame, you finally think, yesss, the pay-off we’ve been waiting for."
Josh R
24. Sally Field (Places in the Heart) (18 points)
"A performance, and a movie, that was as soggy as yesterday’s oats, and as predictable in its taste."
Dennis Cozzalio
24. Marlee Matlin (Children of a Lesser God) (18 points)
"The Harold Russell Memorial Award"
Exiled in New Jersey
26. Judy Holliday (Born Yesterday) (17 points)
"Judy was at best the fourth best choice amongst the nominees. I can understand if Anne Baxter and Bette Davis split the All About Eve vote, but Gloria Swanson losing for Sunset Boulevard? Unbelievable."
Karina Longworth
27. Jane Fonda (Coming Home) (15 points)
"It may be the 70s-ness that I don't like."
M.A. Peel
28. Shirley Booth (Come Back, Little Sheba) (13 points)
"Booth is so histrionic and annoying, you can hardly blame the damn dog for running away."
Odienator
29. Kathy Bates (Misery) (12 points)
"I think Kathy Bates IS a great actress, but not in Misery. I felt no real complexity to the character. She bored me, but, in fairness, Stephen King deserves the brunt of the responsibility for that."
Nomi
29. Shirley MacLaine (Terms of Endearment) (12 points)
"Should have won for The Apartment or Sweet Charity. Not this crud."
Tim Footman
31. Faye Dunaway (Network) (11 points)
"I can't stand this movie, and though Dunaway's performance is not the worst thing about it, she certainly doesn't help any either."
Brian Darr
31. Jodie Foster (The Accused) (11 points)
"She's been great in other things but this is just acting with a capital A... hell, it's just all caps. Maybe it's just that the character is vulgar but the performance strikes me as crude showboating. I didn't buy it."
Nathaniel R
31. Vivien Leigh (A Streetcar Named Desire) (11 points)
34. Louise Fletcher (One Flew Over the Cuckoo's Nest) (10 points)
34. Glenda Jackson (A Touch of Class) (10 points)
34. Jane Wyman (Johnny Belinda) (10 points)
"The pinnacle of Wyman's acting career remains the television soap opera 'Falcon Crest' where, as ballsy wine matriarch Angela Channing, she slyfully and successfully channeled the persona of first hubby Ronald Reagan's better-known better half, Nancy (Davis) Reagan. Janie got a major sympathy vote (after the birth and death of her baby daughter in 1947 and her subsequent crumbling marriage to the man who would soon be known around Rancho Yesteryear from 1981-89 as "The Great Prevaricator") for a performance that's the equivalence of being trapped in a city park with a doggedly determined mime."
Ivan G. Shreve Jr.
37. Joan Fontaine (Suspicion) (9 points)
37. Liza Minnelli (Cabaret) (9 points)
"Love the singing, want to brain her with a frying pan the rest of the time and, btw, I LOVE the movie. Go figure."
Joshua Flower
37. Luise Rainer (The Good Earth) (9 points)
"Luise Rainer is pretty embarrassing as a Chinese peasant. After winning the Oscar the year before for The Great Ziegfeld her career succumbed to the double Oscar curse."
Al Weisel
37. Elizabeth Taylor (Who's Afraid of Virginia Woolf?) (9 points)
"'Butterball 28' takes an ax to one of the 20th century's best women's roles."
John Burlinson
41. Holly Hunter (The Piano) (8 points)
"I've never gotten this movie, and think most of it is overwrought pretentiousness, save for Anna Paquin."
David Gaffen
41. Norma Shearer (The Divorcee) (8 points)
"Let's just say this performance has not aged well."
Charles Barrett
43. Greer Garson (Mrs. Miniver) (7 points)
"She's just so "great lady" special that I start retching just thinking about it."
Richard Christenson
44. Jodie Foster (The Silence of the Lambs) (7 points)
45. Anne Bancroft (The Miracle Worker) (6 points)
46. Geraldine Page (The Trip to Bountiful) (5 points)
"A hand gesture thought out for every damn line — exhausting and unbearable performance I hope I never have to sit through again."
B. Lee
46. Emma Thompson (Howards End) (5 points)
48. Ingrid Bergman (Anastasia) (4 points)
48. Julie Christie (Darling) (4 points)
48. Bette Davis (Jezebel) (4 points)
48. Marie Dressler (Min and Bill) (4 points)
48. Jane Fonda (Klute) (4 points)
48. Audrey Hepburn (Roman Holiday) (4 points)
"Many supporting actress Oscars have been given just for being adorable and winsome, but how many lead trophies have been presented merely for being tremendously loveable? Oh and don't take this as a sign I don't like the performance or the movie, but is it really Oscar-worthy? (In retrospect, perhaps the greatness of this performance is in how bad I feel about listing it here?"
Daniel Fienberg
48. Frances McDormand (Fargo) (4 points)
55. Bette Davis (Dangerous) (3 points)
"She wasn't even nominated for Of Human Bondage, so this is one of those consolation Oscars they give out to this day, and shouldn't. You would never know Davis was a peerless screen artist by viewing this shrill, silly, damn near unwatchable performance in an extremely tiresome movie."
Campaspe
55. Helen Hayes (The Sin of Madelon Claudet) (3 points)
55. Katharine Hepburn (The Lion in Winter) (3 points)
"I might have put her Mary Tyrone on my 'best' list if she had won that year — but Lion is a TERRIBLY acted film and she (along with everyone else in the film) was at her hammy worst."
B. Lee
55. Katharine Hepburn (Morning Glory) (3 points)
55. Hilary Swank (Boys Don't Cry) (3 points)
"Chloe Sevigny carried this movie; Swank won on 'uglification.'"
Jenni
60. Diane Keaton (Annie Hall) (2 points)
60. Patricia Neal (Hud) (2 points)
60. Joanne Woodward (The Three Faces of Eve) (2 points)
63. Claudette Colbert (It Happened One Night) (1 point)
63. Ingrid Bergman (Gaslight) (1 point)
63. Vivien Leigh (Gone With the Wind) (1 point)
63. Sophia Loren (Two Women) (1 point)
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this was a great read but i'm HORRIFIED that Grace Kelly did not make the "top" ten list of WORST.
god i hate that performance.
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god i hate that performance.
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